FFmpeg - Encode Opus: Difference between revisions
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[[Category:FFmpeg]] | |||
[[Category:Opus]] | |||
Opus is a modern, low‑latency, high‑quality audio codec designed for both speech and music. It adapts extremely well across a wide range of bitrates, and FFmpeg provides first‑class support through the **libopus** encoder. | |||
This article covers the essential usage pattern for encoding Opus audio using FFmpeg, along with recommended settings, practical notes, and references for further reading. | |||
== Basic Usage == | |||
To encode an audio file to Opus at a transparent quality level: | |||
<pre> | |||
ffmpeg -i <input.file> -c:a libopus -b:a 128k <output.file> | |||
</pre> | |||
'''Explanation:''' | |||
* `-c:a libopus` — use the Opus audio encoder | |||
* `-b:a 128k` — target ~128 kbps (VBR by default) | |||
* Opus uses variable bitrate automatically unless explicitly forced to CBR | |||
== Why 128 kbps? == | |||
Opus is extremely efficient. According to the Xiph.Org Foundation’s recommended settings, '''Opus at ~128 kb/s VBR is considered "pretty much transparent"''' for most listeners and most material types. | |||
This makes 128k a safe, high‑quality default for music, mixed audio, spoken word, and general-purpose encoding. | |||
== Additional Useful Options == | |||
=== Force Constant Bitrate (CBR) === | |||
<pre> | |||
ffmpeg -i input.wav -c:a libopus -b:a 128k -vbr off -compression_level 10 output.opus | |||
</pre> | |||
=== Reduce Bitrate === | |||
<pre> | |||
ffmpeg -i input.wav -c:a libopus -b:a 64k output.opus | |||
</pre> | |||
=== Preserve Metadata === | |||
<pre> | <pre> | ||
ffmpeg -i | ffmpeg -i input.flac -c:a libopus -b:a 128k -map_metadata 0 output.opus | ||
</pre> | </pre> | ||
== Practical Notes == | |||
* Opus prefers 48 kHz sampling internally; FFmpeg resamples automatically. | |||
* Opus is designed for low latency, but FFmpeg’s defaults favour quality. | |||
* `.opus` is the recommended container; `.ogg` also supported but less common. | |||
== References == | |||
* Xiph.Org – Opus Recommended Settings: https://wiki.xiph.org/Opus_Recommended_Settings | |||
* FFmpeg – High Quality Audio Encoding: https://trac.ffmpeg.org/wiki/Encode/HighQualityAudio | |||
Latest revision as of 14:35, 14 March 2026
Opus is a modern, low‑latency, high‑quality audio codec designed for both speech and music. It adapts extremely well across a wide range of bitrates, and FFmpeg provides first‑class support through the **libopus** encoder.
This article covers the essential usage pattern for encoding Opus audio using FFmpeg, along with recommended settings, practical notes, and references for further reading.
Basic Usage
To encode an audio file to Opus at a transparent quality level:
ffmpeg -i <input.file> -c:a libopus -b:a 128k <output.file>
Explanation:
- `-c:a libopus` — use the Opus audio encoder
- `-b:a 128k` — target ~128 kbps (VBR by default)
- Opus uses variable bitrate automatically unless explicitly forced to CBR
Why 128 kbps?
Opus is extremely efficient. According to the Xiph.Org Foundation’s recommended settings, Opus at ~128 kb/s VBR is considered "pretty much transparent" for most listeners and most material types.
This makes 128k a safe, high‑quality default for music, mixed audio, spoken word, and general-purpose encoding.
Additional Useful Options
Force Constant Bitrate (CBR)
ffmpeg -i input.wav -c:a libopus -b:a 128k -vbr off -compression_level 10 output.opus
Reduce Bitrate
ffmpeg -i input.wav -c:a libopus -b:a 64k output.opus
Preserve Metadata
ffmpeg -i input.flac -c:a libopus -b:a 128k -map_metadata 0 output.opus
Practical Notes
- Opus prefers 48 kHz sampling internally; FFmpeg resamples automatically.
- Opus is designed for low latency, but FFmpeg’s defaults favour quality.
- `.opus` is the recommended container; `.ogg` also supported but less common.
References
- Xiph.Org – Opus Recommended Settings: https://wiki.xiph.org/Opus_Recommended_Settings
- FFmpeg – High Quality Audio Encoding: https://trac.ffmpeg.org/wiki/Encode/HighQualityAudio
